Issue 29, Winter '12

The “Highly Important Matter of Clothes”: Apparel and Identity in Nella Larsen’s Quicksand

by Kaley Joyes Issue 19 07.19.2009

Works Cited

Barnett, Pamela E. “‘My Picture of You Is, After All, the True Helga Crane’: Portraiture and Identity in Nella
Larsen’s Quicksand.” Signs 20.3 (1995): 575-600.

Baudrillard, Jean. “Fashion, or The Enchanting Spectacle of the Code.” Symbolic Exchange and Death. 1976. Trans. Iain Hamilton Grant. London: Sage, 1993. 87-100.

Cutter, Martha J. “Sliding Signification: Passing as a Narrative and Textual Strategy in Nella Larsen’s Fiction.” Passing and the Fictions of Identity. Ed. Elaine K. Ginsberg. Durham: Duke UP, 1996. 75-100.

Davis, Thadious M. “Nella Larsen (1891-1964).” The Gender of Modernism: A Critical Anthology. Ed. Bonnie Kime Scott. Bloomington: Indiana UP, 1990. 209-214.

DeFalco, Amelia. “Jungle Creatures and Dancing Apes: Modern Primitivism and Nella Larsen’s Quicksand.” Mosaic 38.2 (June 2005): 19-35.

Dittmar, Linda. “When Privilege is No Protection: The Woman Artist in Quicksand and The House of Mirth.” Writing the Woman Artist. Ed. Suzanne W. Jones. Philadelphia: U of Pennsylvania P, 1991. 133-154.

DuBois, W.E.B. The Souls of Black Folks. 1903. New York: Gramercy, 1994.

Featherstone, Mike. “Postmodernism and the Aestheticization of Everyday Life.”

Modernity and Identity. Ed. Scott Lash & Jonathan Friedman. New York: Basil Blackwell, 1992. 265-290.

Goldsmith, Meredith. “Shopping to Pass, Passing to Shop: Consumer Self-Fashioning in the Fiction of Nella Larsen.” Middlebrow Moderns: Popular American Women Writers of the 1920s. Ed. Lisa Botshon & Meredith Goldsmith. Boston: Northeastern UP, 2003. 263-290.

Hostetler, Ann E. “The Aesthetics of Race and Gender in Nella Larsen’s Quicksand.” PMLA 105.1 (January 1990): 35-46.

Howard, Lillie P. “‘A Lack Somewhere’: Nella Larsen’s Quicksand and the Harlem Renaissance.” The Harlem Renaissance Re-examined. Ed. Victor A. Kramer. New York: AMS, 1987. 223-233.

Hutchinson, George. In Search of Nella Larsen: A Biography of the Color Line. Cambridge: Harvard UP, 2006.

Larsen, Nella. Quicksand. 1928. Quicksand and Passing. Ed. Deborah E. McDowell. New Brunswick: Rutgers UP, 1986. 1-135.

Lury, Celia. Consumer Culture. New Brunswick: Rutgers UP, 1996.

McDowell, Deborah. “New Directions for Black Feminist Criticism.” The New Feminist Criticism: Essays on Women, Literature, and Theory. Ed. Elaine Showalter. New York: Pantheon, 1985. 186-199.

McLendon, Jacquelyn Y. “Self-Representation as Art in the Novels of Nella Larsen.” Redefining Autobiography in Twentieth-Century Women’s Fiction. Ed Janice Morgan, Colette T. Hall & Carol L. Snyder. New York: Garland, 1991. 149-168.

Roberts, Kimberley. “The Clothes Make the Woman: The Symbolics of Prostitution in Nella Larsen’s Quicksand and Claude McKay’s Home to Harlem.” Tulsa Studies in Women’s Literature 16 (1997): 107-130.

Sedgwick, Eve Kosofsky. Epistemology of the Closet. Berkeley: U of California P, 1990.

Simmel, Georg. “Fashion.” 1904. The American Journal of Sociology 62.6 (1957): 541- 558.

Stern, Radu. Against Fashion: Clothing as Art, 1850-1930. Cambridge: MIT Press, 2004.

Veblen, Thorstein. The Theory of the Leisure Class: An Economic Study of Institutions. 1899. Amherst: Prometheus Books, 1998.

Wall, Cheryl. Women of the Harlem Renaissance. Bloomington: Indiana UP, 1995.

Wilson, Elizabeth. Adorned in Dreams: Fashion and Modernity. 1985. Revised. New Brunswick: Rutgers UP, 2003.

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Kaley Joyes

Kaley Joyes

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Kaley Joyes completed her PhD in English at McMaster University in Hamilton, Ontario, Canada. She is currently a SSHRC Postdoctoral Research Fellow at the University of Virginia. Though her primary research interests are war literature, Anglo-British modernism, and gender, Kaley remains intrigued by fashion’s relationships with literature, history, and material culture.