Issue 34, Spring '13

Advertising as Imperial Agency in Jane Eyre

by Joanna Green Issue 22 04.19.2010

Endnotes

[1] Peterson has taken this information from Census of Great Britain, 1851 as cited in J.A. Banks, Prosperity and Parenthood (London, 1965).

[2] Jameson, One the Relative Social Position of Mothers and Governesses, in Memoirs and Essays, (1846), p 253-255

[3] Many critics have cemented this claim that Jane is aligning herself with women workers; Marcus notes particularly Kaplan.

[4] McClintock’s discussion of the relationship between Hannah Cullwick and Arthur Munby provides an excellent case study for a divided class self.

[5] Peterson notes that a “private governess” refers to a woman who works within the family, at home (4).

[6] In a modern play production about Jean Rhys, author of Wide Sargasso Sea, and her relationship to Jane Eyre, set designer Angela Davies interestingly creates Bertha’s attic to resemble a ship.

[7] According to OED

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Joanna Green

Joanna Green

Criticism Editor

Joanna Green holds a BA in English from the University of Minnesota and an MA in English Literature from the University of Massachusetts Boston. Apart from interest in queer theory, women’s studies, and ecocriticism, she spends her days working at Beacon Press, an independent nonprofit publisher.