Issue 34, Spring '13

Sean Conaway on time, space, and why we should all read (or reread) Calvino

by Fringe Magazine 04.09.2012
This month’s work of fiction, “All Towards One Point,” is a sequel, of sorts, to Italo Calvino’s “All At One Point.” We may all be remnants, made of stardust, but according to author Sean Conaway, and Calvino, that might not be such a bad thing.

In theoretical physics, the anthropic principle states that the universe is the way it is because we’re here to observe it—a reductive argument, perhaps, but it simply shows that if it were any different, we wouldn’t be around to notice. Around ten thousand million years ago all was condensed to a single, microscopic point that suddenly blew outward. We’re composed from the shrapnel of a long series of explosions and collisions. We’re remnants, made of stardust, and one day all of us (and this) will set adrift again on small exhalations of heat.

Some folks consider this notion bleak, that it reduces time to meaninglessness, but taking a long view, that it took two generations of stars to create conditions suitable for life—creatures able to look back to the beginning and peer into the future—is something awesome and humbling. At least, Italo Calvino thought so, and spent the last half of his life playfully fusing science to human (and not so human) desire and folly, proving that, whether intended or not, our capacity to question and imagine, to marvel, is a rich creation indeed.

Calvino understood modern science as a continuation of the way our ancestors attached myths to stars, told time by them, used them to explain how the world began and how it will end. His Cosmicomics illustrate how physics and literature are two manifestations of the same impulse—to observe and attempt to explain, to reel out our imaginations until they travel between galaxies.  It’s with a certain amount of embarrassment that I introduce my story, “All Towards One Point.” Who am I to write a sequel to “All at One Point?” A hack, I fear, but a humble one, trying only to offer a respectful (if clumsy) homage rather than cheap knock-off to a writer I consider a master and sage. At the very least, I hope it encourages readers to revisit the real deal, and explore with him the strange wonders of the universe.

Fringe Magazine

Fringe Magazine

Read More

Fringe: it’s the noun that verbs your world, and the magazine you’re reading. We publish work that is political or experimental in form or content and define both “political” and “experimental” broadly. “Political” can mean work that incorporates or comments on current events or it can mean literature and art that further personal dignity and advocate human rights. We regard “experimental” work as work that breaks with the canon, takes formal risks, or explores a strange or impossible point of view.


Join the Discussion

Comments Feed3 comments
  • pete davies Wednesday, April 11, 2012 at 2:46 pm

    come to think of it, i think it IS time to revisit some calvino- one of my favorites, as well. i like the sentiment of “fusing science . . . to desire and folly,” and find it to be an apt pointer to the bigger picture that he painted. well done

  • arthur freed Wednesday, August 1, 2012 at 8:19 am

    just found the fringe – a great pleasure

    The moderns told him to explain the future, or at least bring it back so the present could have another crack at shaping its consequences…it was a theory of nothing, but one where less was more then whatever was produced by their differences. All states of Grace were on notice: God would have to retract his promises for an afterlife if singularities were going to continue. Their existence depended on a new form of human physics – creation points with a no-return policy that began before being came into being. One wanted a world of strange play that offered views of things not made by impulsive creatures – a science of sequels that explored the cheapest sides of lust. And illustrated, however clumsy, a love of love’s greatest fear: unimaginative writing.

  • arthur freed Wednesday, August 1, 2012 at 1:56 pm

    just found the fringe – a great pleasure to read your piece – hope you enjoy my ‘colage’

    The moderns told him to explain the future, or at least bring it back so the present could have another crack at shaping its consequences…it was a theory of nothing, but one where less was more then anything was produced by differences. All states of Grace were on notice: God would have to retract his promises for an afterlife if singularities were going to continue. Existence would depend on a new form of physics: human creation points with a no-return policy. But before beings came into being, one needed a world of strange play that offered views of things not made by impulsive creatures: a science of sequels that explored the cheapest sides of lust. And illustrated, however clumsily, a love of love’s greatest fear: unimaginative writing.

Post Comment

Trackbacks

  • Saturday, April 14, 2012 becas para estudiar en francia

    becas para estudiar en francia…

    Sean Conaway on time, space, and why we should all read (or reread) Calvino » Fringe Magazine…

  • Saturday, May 5, 2012 solicitar borrador renta 2012

    solicitar borrador renta 2012…

    Sean Conaway on time, space, and why we should all read (or reread) Calvino » Fringe Magazine…

  • Friday, May 11, 2012 reclamación de indemnizaciones

    reclamación de indemnizaciones…

    Sean Conaway on time, space, and why we should all read (or reread) Calvino » Fringe Magazine…